Back With Another One of Those Block Rockin' Beats

TOMORA

Started by ;, Nov 28, 2025, 03:33

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Still no announcement for more US dates, huh?

I'm so ready to DRINK THE LIGHT in person.


I'd also love to see some more remixes! I've been bumping that salute remix a bunch lately. It's great! Feel like there's some good potential to hear some other interesting takes.

Also, ICYMI (I definitely did) - there's a t-shirt available!
dancesoitallkeepsspinning

I really like the Salute remix. Can't explain why, but it gives me some Come With Us H Foundation Remix vibes.
Quote from: Csar on Dec 07, 2023, 19:31
It's 237!  That's also the best number because it would make you the Turbo Nutter of the deluxe owners

Quote from: Enjoyed on Apr 27, 2026, 23:09
Still no announcement for more US dates, huh?

Portola lineup release is probably Mid-May, so maybe in a couple of weeks?

I question if Tomora wants to do an extensive tour though, it really depends how hard they want to push this project. I have a feeling it will be more "select dates" than we're all probably hoping for.

They jokingly hinted releasing a live version of 'In A Minute' in that Rough Trade interview you posted. They claim they left off a particular part that is utilized in the "LIVE" show. So, if they are willing to do that, whats stopping them from doing a live recording or live film? That would eliminate the headache of touring. Yes, obviously less fun for fans who want to participate. It probably all depends what type of attention the album gets over the coming months.

And there might be another shot down the road for North American tour dates, as Corona Capital (Mexico) has become quite the festival mainstay. Aurora's recent live movie "Aurora: What Happened to the Earth?" was from a show in Mexico City to a sellout crowd of 18,000 people. So yeah, I think they'll be going back there!


I hate that you're probably right   :'(

I guess I should start planning to make another Chemical trip to a bigger city later in the year.

Crossing my fingers for a Denver of a Chicago if that's the case.

Quote from: Bosco on Apr 29, 2026, 07:12
They jokingly hinted releasing a live version of 'In A Minute' in that Rough Trade interview you posted. They claim they left off a particular part that is utilized in the "LIVE" show.
It's the same case for Somewhere Else. Having listened to the Tape Notes episode, there's a kind of xylophone sounding melody that both Tom and Aurora seemed to enjoy when playing it back in the demo file, and shared some confusion as to why they didn't include it in the final version. And lo and behold, it's featured in the outro during the live version!
dancesoitallkeepsspinning



I honestly can't get enough of these breakdown videos featuring Tom and AURORA. Beyond being entertaining, they offer a surprisingly technical and intimate window into Tom's creative workflow. You can actually see how he approaches sound design, layering, and textural experimentation in real time (amazing for someone who is a geek of music production like myself). It feels like accessing a side of his process that usually stays hidden behind the final mix. In a way, it's almost like watching a BTS session of the brothers working together (without the distinctive creative imprint of Ed Simmons, of course), and understanding step by step how those incredible sonic landscapes are constructed. Once again, fucking awesome.

What strikes me the most is how methodical yet instinctive the whole process is. You can tell there's a deep technical foundation (sampling, modulation choices, rhythmic architecture) but at the same time, there's this fluid spontaneity that keeps everything organic. This is exactly the kind of content I wish we could see more often from The Chemical Brothers. They often talk about their workflow in interviews, but IMO, they rarely show the actual mechanics behind their sound creation. Seeing them break down a track, explain the evolution of a motif, or demonstrate how a particular synth patch came to life would be incredibly valuable for fans and even producers alike.

That's why these videos with AURORA feel so refreshing. Her contributions have this ethereal, almost textural quality that complements Tom's more structured approach. The way she describes her ideas.  So intuitive, atmospheric, emotionally driven. Adds a whole new dimension to the breakdown. And the fact that both of them emphasize spontaneity in their recording sessions makes the final result even more impressive. They manage to capture these fleeting creative moments and transform them into some of the most beautiful and meticulously crafted sounds out there.

I know this is a TOMORA centric space, but honestly, I'd love to see The Chemical Brothers explore this format more often. A podcast style series where they dissect tracks, discuss their tools, share early demos, or walk through their decision‑making process would be incredible. Not just as fans, but as people who appreciate the craft behind electronic music, having access to that level of transparency would be a real gift. Pretty amazing stuff, if you ask me.

Quote from: WhiteNoise on Apr 25, 2026, 23:47
Studio K comes from the same process. It's just a straight up jam for the construction of The Sunshine Underground that they decided to release as-is. The 20 Minutes of Madness Mix of Out Of Control is the same story.

Thanks for sharing this! Again, in hindsight in makes total sense. I think I naively just thought (/wanted?) their process to be more like mine was at the time. Creating and sequencing out loops into a fully fledged song.
This is hands down way more interesting though - and it's awesome to get such a clear picture about the whole thing, how it has evolved, and which aspects remain ingrained in Tom & Ed's approach to making music. It's super inspiring.

Quote from: Nekcore on Apr 29, 2026, 23:30
Pretty amazing stuff, if you ask me.
Totally agree. It's awesome to see, and I would absolutely love to see more!

Also have to give a tonne of credit to Aurora in these. Not only does she clearly have an equally passionate approach to making music - but the way she speaks about sounds, and the stories she's able to weave about the music she and Tom are making, is so beautiful to listen to. As you said Nek, it's that ethereal quality to her and her songwriting/production. And again, it's obvious Tom is enamored with the approach himself - being able to have words and images put to some of the emotions he feels when he stumbles across a mad arpeggio! 
dancesoitallkeepsspinning

Quote from: Enjoyed on Apr 30, 2026, 00:18
Totally agree. It's awesome to see, and I would absolutely love to see more!

Also have to give a tonne of credit to Aurora in these. Not only does she clearly have an equally passionate approach to making music - but the way she speaks about sounds, and the stories she's able to weave about the music she and Tom are making, is so beautiful to listen to. As you said Nek, it's that ethereal quality to her and her songwriting/production. And again, it's obvious Tom is enamored with the approach himself - being able to have words and images put to some of the emotions he feels when he stumbles across a mad arpeggio!
Absolutely! And I like how you put it. AURORA really has this ability to turn sound into imagery in a way that feels almost narrative. It's not just describing a synth or a texture, it's like she's giving emotional context to every little sonic detail. That's something you don't usually get in technical breakdowns like this one, and it elevates the whole thing.

And yeah, you can absolutely see how much Tom enjoys that dynamic. It's like she articulates the emotional side of the process that he usually expresses through experimentation and instinct. When she starts weaving those stories around a melody or an arpeggio he just stumbled upon, it suddenly frames the whole moment in a completely different light. It's honestly beautiful to watch.

All of this just reinforces how special these sessions are. Really hope they keep doing more of these, because they're a joy to watch.

I'm surprised how much I enjoy the album and the project as a whole. At first I was bummed that Chemical Brothers are going on break, but Tomora is a fresh take on a familiar sound. 

Really hoping for some US dates, specifically Chicago. They don't have the huge stage setup that Chemical Brothers have cited as a reason they don't come to the US more often, so maybe there's a chance they'll swing through. 

:tcat

Stumbled across this little unofficial remix while doing some Bandcamp Day shopping. Not bad!

dancesoitallkeepsspinning

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