Kate Gibb has been a long time collaborator of the chemical brothers with respect to album artwork and record cover design. Based in Paddington, London, she has been working as a printmaker and illustrator for over 15 years. She is best known for her use of the silk screen printing technique. Calling herself "a silk screen obsessive" (1) (http://kategibb.co.uk/), she considers the method "seductive" because of its tactile nature among other things (2, min. 2:33). As obsessed as with silk screening, which she taught herself, Gibb is also addicted to colors in all their forms: "I'm attracted to things because of their color. It's the first thing I notice. It's my intuitive response to things.. is color" (2), she states. Her work is essentially influenced by "chance, hiccups and happy accidents" (1) (http://kategibb.co.uk/), as Gibb describes her creative and inspirational process.
It is this kind of obsession and creativity that has therefore greatly affected the style of a multitude of beautiful artwork designs for the Chemical Brothers.
Surrender, the band's iconic third studio album, marks her first ever collaboration with the band and comes up with illustrations deeply influenced by a flower-power kind of style fitting the album's psychedelic mood. Especially the singles' artwork of that era portrays people in various forms with a subtle, retro-like theme of coloring (3) (http://kategibb.co.uk/work.php?s=surrender) . The most significant illustration, however, is Surrender's front cover. It shows a man lifting his arms up in the air who stands in front of a sitting crowd of people in London's old Olympic Stadium.
A special limited lithography poster of this front cover was made for the Chemical Brothers' tour ending gig at the Olympic Stadium that took place on August 30, 2008. In contrast to its original, the color theme was changed from a light blue and orange tone to a darker blue and pale lemon-like yellow pattern. It also bears the day of performance in the upper right-hand corner.
(http://www.bigactive.com/wp-content/uploads/2014/12/KG_Chems_Surrender_1-e1423568351252-1200x881.jpg)
Special limited lithoprapghy poster
(http://www.bigactive.com/wp-content/uploads/2014/12/KG_Chems_Surrender_8-1200x854.jpg)
As a follow up, Gibb created the silk screen artwork for 2002's Come With Us with its front cover depicting two persons going through or coming from (?) some kind of orange/red colored "swirl" of sparks. Singles like It Began In Africa and Star Guitar, one of my personal favorites with its two-faced female silhouette, show a slightly more vivid theme of color than its predecessor Surrender yet with an equally trippy feel to it.
(http://kategibb.co.uk/perch/resources/comewithusalbumcover-w1040h569.jpg)
(http://kategibb.co.uk/perch/resources/comewithus_starguitar_single2b-w1040h569.jpg)
(http://kategibb.co.uk/perch/resources/comewithus_itbeganinafrika_single1-w1040h569.jpg)
Gibb also executed the silk screen prints for the Singles 93-03 compilation album. Among other things, they display people the Brothers have worked with over the course of that period such as Noel Gallagher, Richard Ashcroft, Tim Burgess or Q-Tip, as well as some excerpts of The Golden Path and Out of Control lyrics and also a French cartoon of the Brothers.
(http://kategibb.co.uk/perch/resources/web_chems_cartoon-w1040h569.jpg)
In 2007, Kate Gibb contributed her artistic skills to the Brothers' sixth studio album, We Are the Night. The style is described as influenced by "the work Things to Come by Bauhaus member Herbert Bayer." (4) (https://en.wikipedia.org/wiki/We_Are_the_Night). On the front cover, you can see open hands in front of a mountainous background with a blueish and greyish color theme overlaid by zodiac sign like stars. The hands are aligned side by side with their palms directed at the viewer which themselves hold big eyes, also looking at the beholder.
(http://kategibb.co.uk/perch/resources/web_wath-w1040h569.jpg)
Perhaps due to the strong similarities of Herbert Bayer's work, the artwork received a modification for a reissue of the album in late 2008 (5) (http://www.discogs.com/Chemical-Brothers-We-Are-The-Night/release/2241058) and the eye holding hands were removed in the process. Its color theme also changed from a brighter blueish to a darker theme, similar to page 9 inside the originals' booklet.
Things to Come by Herbert Bayer
(http://www.moma.org/collection_images/resized/196/w500h420/CRI_8196.jpg)
2008's reissue of WATN
(http://cdn.discogs.com/ulNll_3RKYUp8skf_bFnQVYAQyU=/fit-in/450x450/filters:strip_icc():format(jpeg):mode_rgb():quality(96)/discogs-images/R-2241058-1272051668.jpeg.jpg)
For the single Do It Again, Gibb created an abstract illustration depicting a mouth and lots of either opened or closed eyes (depending on single versions). According to Gibb, the eye and planetary theme was based on ideas by the Chemical Brother themselves: "They knew they wanted these whole sort of eye, quite mystical, planetary things. They love things like that." (6, min 1:33). This may come as no surprise as they used eyes in their live set visuals before, e.g. for The Private Psychedelic Reel and Surface to Air.
(http://kategibb.co.uk/perch/resources/web_doitagain_single1-w1040h569.jpg)
(http://kategibb.co.uk/perch/resources/web_doitagain_single2-w1040h569.jpg)
Live visual for The Private Psychedelic Reel
(http://i.ytimg.com/vi/CCpUTnd_d_M/hqdefault.jpg)
Live visual for Surface to Air
(https://c1.staticflickr.com/3/2162/2298826671_012faacdd7_m.jpg)
The single The Salmon Dance, deemed as the Brothers last physical single release to this date, shows six different pairs of legs that converge in the center of a circle which appears to be Earth's moon. The background is painted in a cyan/ aqua type of hue with some salmons swimming around.
(http://kategibb.co.uk/perch/resources/web_wath04-w1040h569.jpg)
In 2008, the Brothers released their second single compilation, Brotherhood, for which Gibb also provided the artwork. The cover displays silk screen illustrations of the various different cover designs of their singles (not restricted to only Kate Gibbs work) in a mosaic type of fashion. In its special edition version, the box also contained a post card of a silk screen print that shows a trippy image of the Brothers applauding their audience.
(http://kategibb.co.uk/perch/resources/brotherhood_albumcover_b-w1040h569.jpg)
(1) http://kategibb.co.uk/
(2) Stolen Moments: Kate Gibb
https://www.youtube.com/watch?v=Dj2zbk8ZuhA
(3) http://kategibb.co.uk/work.php?s=surrender
(4) http://www.discogs.com/Chemical-Brothers-We-Are-The-Night/release/2241058
(5) https://en.wikipedia.org/wiki/We_Are_the_Night; http://www.moma.org/collection/object.php?object_id=7524
(6) Kate Gibb/ Stussy
https://www.youtube.com/watch?v=VLSkE4DbxbE
Other sources
Interview with illustrator Kate Gibb (Ellesse, Italia)
https://www.youtube.com/watch?v=ze7fYXnq7zY
http://kategibb.co.uk/work.php?s=come-with-us
http://kategibb.co.uk/work.php?s=chemical-brothers
Wonderful post! I love Kate Gibb's use of layering images to add depth and lush texture to her pieces.
I'm pretty sure Kate is a huge influence for another favourite artist of mine, Victoria Topping (http://www.victoriatopping.com/).
Nice one Csar! Starting to enjoy the topics in here so far. Nicely put on all things related to Kate. I gotta put that lithograph up again.
Quote from: Csar on Jul 08, 2015, 11:53
Perhaps due to the strong similarities of Herbert Bayer's work, the artwork received a modification for a reissue of the album in late 2008
Thievery!
(http://cdn.shopify.com/s/files/1/0060/9962/files/20140402_kategibb_1528_1080_1.jpg?16926)
Wow, want buy one with star guitar artwork!
Quote from: Bob Chipezka on Jul 09, 2015, 13:07
(http://cdn.shopify.com/s/files/1/0060/9962/files/20140402_kategibb_1528_1080_1.jpg?16926)
Yes please!!
I have the Music: Response one and the CWU/The Test one ;D
They had sold out of Star Guitar when I ordered but I will pay handsomely if I find one elsewhere!
Dear lord, those shirts... It's Beautiful.
One SG and one Test please. When did these come out?
Until recently, these t-shirts were sold in the store at the official site of Kate, but now the store is not working for some unknown reason to me.
Quote from: inchemwetrust on Jul 08, 2015, 19:40
Nice one Csar! Starting to enjoy the topics in here so far. Nicely put on all things related to Kate. I gotta put that lithograph up again.
Thanks, Inchem! I really love Kate's work. After I watched a video about silk screening, because of the method change for BITE's special ed., I thought an article like yours about her great pieces would be nice.
The t-shirts look really nice. However, my most loved piece looks a bit odd because of its size. I'd prefer it smaller. Still want a screen print of SG. Maybe it's still up for sale when the shop re-opens.
(https://pbs.twimg.com/media/CJPxvZRWIAQn9Ni.jpg)
https://twitter.com/Super_Ape_Sean/status/618103382465740800
https://twitter.com/KateGibbPrint/status/618106646376656896
good job Csar :thumbup1:
HA! Nice work Csar.
What could you buy at the store when it worked?
I'd kill for a large Star Guitar print
Cool post.
@Mob1
I have (Unplanned Magic), I love her abstract stuff too, was a one-off print I believe, so I got that going for me.
http://illustrationchronicles.com/A-Vibrant-Transcendence-Kate-Gibb-and-the-Art-of-Surrender
Quote from: Nekcore on Jul 09, 2015, 20:07
Dear lord, those shirts... It's Beautiful.
I know right. Do you know if they're still for sale anywhere?
Wow what a great article!
Meet Kate Gibb, the artist behind Surrender's artwork:
https://crackmagazine.net/article/long-reads/meet-kate-gibb-the-artist-behind-the-chemical-brothers-surrender-artwork/
Quote
Were you familiar with their music? What did you think when you first heard the record?
Vaguely – I was more of an indie kid at the time! We were invited to the Virgin HQ, myself and Mark Tappin (designer/art director at Blue Source) were to be played the album by their label manager Steve. We were overwhelmed by the magnitude of their sound. We listened to pretty much the whole of Surrender, smiling at each other and giving occasional 'thumbs up' signs. It was like nothing I'd ever experienced. On the way out Mel C from the Spice Girls passed me! All very surreal.
It allowed me to hear, feel and interpret their music in a completely intuitive way. Stopping to actually listen, not multitasking or working at the same time. Absorbing their sound on a purer level revealed the multi-layering and complexities of their process. From then on I was a fan.
Great interview with the visual chemical sister Kate Gibb. Love her creative process and reading about that approach, and enjoyed reading about the a-ha moment when she went from vaguely knowing their music to being a fan.
Here's a nice 40 minute interview with Kate from August. There's only a brief mention of the Chems but it's no less interesting if you like her work in general. Kate talks about her methods, digital versus analogue processes, and what it means to be a print artist.
https://embed.podcasts.apple.com/gb/podcast/print-maker-illustrator-kate-gibb/id1435811372?i=1000440020189
Just listened to this while doing the dishes. What a lovely lady. A really fascinating chat about her journey and her approach to printing.
Does anyone know what t shirts she was talking about that she designed with a friend's clothing company?